The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. She spied him sitting on his armless black couch, his feet splayed as he stared at his television blankly. She hesitated, and for a moment thought of omitting her second verse altogether. He doesn’t know where she is, and I told him he’d have to apply to Remenham’s lawyers if he wanted anything to do with this place.
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