The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. And behind— there was Paris, memories of amazing things, memories which made his cheeks burn and his heart beat quickly as he sat there waiting for her. Taking the wind was her business in life. And yet—he thought of the supper party where he had met Annabel Pellissier, the stories about her, his own few minutes’ whispered lovemaking! He was a self-contained young man, but his cheeks grew hot at the thought of the things which it had seemed quite natural to say to her then, but which he knew very well would have been instantly resented by the girl whom he had just left.
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