E. They agreed to lend her their hold-all and a large, formless bag which they called the communal trunk. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She had decided that she would spend the next morning answering advertisements in the papers that abounded in the writing-room; and so, after half an hour’s perusal of back numbers of the Sketch in the drawingroom, she had gone to bed.
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