"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. Impassive by nature and training, he was conscious to-night of a strange sense of excitement, of exhilaration tempered by a dull background of disappointment. The Wastrel—as we call him—cannot play when he's sober; hands too shaky. “We will see that he never annoys you. I know nothing about this affair, but some one has been burning documents. And sometimes he overflowed with a peculiarly malignant wit that played, with devastating effect, upon any topics that had the courage to face it. Least of all myself. The thing is, Miss Charvill —’ ‘He told you my name?’ cut in Melusine, surprised.
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