She had a feeling at his departure as of an immense cavity, of something enormously gone; she could not tell whether it was infinite regret or infinite relief. The reply he received this time put him into a state of continuous bewilderment. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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