Then she glanced at the cards again, over which her aunt’s many-ringed hand played, and then at the rather weak, rather plump face that surveyed its operations. “For Heaven’s sake, Dunster, don’t let her out of the carriage, or hansom, or whatever she came in. Nothing has gone wrong here?" "Nothing whatever," replied Ireton. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. They left the castle that day for another, packing with them the leftovers of the troupe that followed them from place to place, never asking about the occasional disappearance of one of its unlucky members.
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