The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. She would flee to the wild fastnesses, the places where there were no overarching systems of any use, where she could blend with the unstable populace and kill in relative peace. And we'll see whether it won't put the Italian opera out of fashion, with Cutzoni, Senesino, and the 'divine' Farinelli at its head.
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