You have made your public, you are already a personage. She glanced towards her sister, and curiously enough found in her face some faint reflection of her own rather sombre mirth. “Why can’t you tell people that you are what you are? Why all the secrecy?” She looked beyond the farmhouse. Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. ‘Is she the Frenchie we’ve been watching for then, sir?’ The lady’s furious features turned on this new target.
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