She was feeling extraordinarily well that night, so that the sense of her body was a deep delight, a realization of a gentle warmth and strength and elastic firmness. He noted that she was fully dressed, that her hair was carefully done, that there was a knotted ribbon around her throat. Drummond smoked his cigarette meditatively. All the influences about her worked with her own predisposition and against all the traditions of her home and upbringing to deal with the facts of life in an unabashed manner. She gloried in it: he needed her. “I’m just off, aunt,” said Ann Veronica. She went past three keenly observant and ostentatiously preoccupied waiters down the thickcarpeted staircase and out of the Hotel Rococo, that remarkable laboratory of relationships, past a tall porter in blue and crimson, into a cool, clear night. How could she tell him of the evil that drew her and drew her, as a needle to the magnet?—the fascinating evil that even now, escaped as it was, went on distilling its poison in her mind? "Yes, yes!" said the doctor. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Or perhaps my father once. And with his clenched hand he struck him a violent blow in the face. I could not have committed this robbery.
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